Bowers & Wilkins Zeppelin Review (2021): The Comeback King


Make a mention The most infamous catastrophes of the 20th century seem to be an extraordinarily bold decision even when naming an extraordinary piece of technology. In 2007, when Bowers & Wilkins unveiled their new “Zeppelin” iPod dock (remember these? They seem like a weird idea nowadays like airships, but 15 years ago they were on the cutting edge), eyebrows were raised regardless of the shape of the product Name.

But thanks to both its class-leading performance and its propensity to cause any casualties, the Bowers & Wilkins Zeppelin quickly surpassed the name of its risky model and was widely recognized as the best iPod dock instead.

“Zeppelin Air” and “Zeppelin Wireless” have followed, but since the launch of the latter in 2015, the Zeppelin project seems to have stalled. Instead of Bowers & Wilkins giving his hand a chance with the “formation” range of wireless speakers কিন্তু but where the name of this range was concerned, there was less negative meaning, it also lacked Zeppelin’s obvious sonic superiority over its rivals.

And so Zeppelin is back, ready to challenge again for the title of “Best Quite Expensive Wireless Speaker”.

At first glance, it could be 2007 again. The recent Zeppelin doesn’t have a real iPod dock, naturally, but the stimulating silhouette is the same. And at 8.2 x 25.5 x 7.6 inches and 14.3 pounds, it imposes the same device as before. Only the metallic pedestal stand, with a fading integrated ambient light (which seems to be effective in ensuring that you have dusted off the shelf on which your zeppelin stands), is an obvious exit from the established template. Okay, this and the choice of “midnight gray” (read “black” for that) or “pearl gray” (“gray”) is over.

Reborn zeppelin in gray.

Photo: Boers and Wilkins

Inside the zeppelin, as you can imagine, is all business. Bowers & Wilkins promises authentic stereo sound from this single enclosure and to that end Zeppelin has five carefully positioned speaker drivers. On either end of the cabinet is a 1-inch double-dome tweeter that first became famous as part of the Loudspeaker’s award-winning 600th anniversary series. The center has a 6-inch subwoofer that works with inferior items and is attached by a couple of 3.5-inch midrange drivers. These use fixed suspension transducer technology owned by Bowers & Wilkins that we recently encountered with a pair of the company’s $ 40,000 800 series floor-standing behemoths. The High Performance driver, equipped with five hardwares, is powered by a total of 240 watts of Class D amplification যা which, by any reasonable metric, should be plentiful.

Apple AirPlay 2, Spotify Connect, and AppTX adaptive Bluetooth are on board for painless and high-quality wireless connection, and the Boers and Wilkins Music app adds even more possibilities. This is a clean, handsome and reasonably responsive control app by any company standard, not Sonos, and here you get access to a stack of streaming services including (but not limited to) Deezer, Qobuz, Tidal, TuneIn. , Last.fm and SoundCloud. Compatibility with both Amazon Music and Amazon Alexa voice-control is promised soon.

The “Coming Soon” list also includes multi-room functionality, consistent across both Zeppelin and Formation ranges. In the meantime, though, Zeppelin is a standalone device that can be controlled via its app or a very short set of physical controls behind the perimeter.



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